A Time to Live and a Time to Die concentrates on a Chinese family which moves to Taiwan in 1948. As time goes by, the gap between two generations in the family becomes visible because the older family members are confused due to being cut off from their cultural heritage. As the narrator says at the beginning of the film, the film consists mostly of the director's impressions of his father and memories of growing up in Taiwan. We witness the family's story through the eyes of Ah-Hsiao (Hou's "onscreen alter ego") during a period of several years.
The film's impact slowly burns into your mind and leaves you feeling empty - in a positive way. At first it seems as if it has no way to affect you, but especially after you're done watching the film, it goes deeper and deeper into your mind. The film lingers there for a long while. It is surprising how universal the film's content seems to be even though it's very personal and autobiographical.
Hou inserts small political, cultural and technological details that subtly create the film a world of its own. These details emphasize the distance that grows between the generations. The film isnt completely minimalistic though - for example, its statement on the social position of women is quite vocally expressed through dialogue. It is almost scary to see just how confident Hou is in handling the content of the film.
It is apparent that Hou's skill - to use the same compositions on more than one occasion to have an effect on the viewer - is becoming finer by each film. In this film he makes a lot out of it even though he doesnt use it excessively. His framing is even more precise and admirable this time around. His use of long takes also seems to emerge in this film.
A Time to Live and a Time to Die is a difficult film to watch due to its elliptical and subtle nature. I bet it's a film that only gets better by rewatches and its impact isnt at its best during the first view.
Score: 9 out of 10
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