Saturday, July 3, 2010

The Naked Island

Essentially Kaneto Shindo's The Naked Island (1960) is a simple film. It depicts the hardships of a family living on a small and isolated island. The parents spend their daily routine maintaining their crops and the most time-consuming task for them is to fetch water from a long distance twice a day. They have two boys: one of them goes to school and the younger one spends his days on the island.

At first the film introduces us to the family's daily routine and despite its simplicity Shindo manages to make it very fascinating. In a single brilliant scene (with a magnificent, long buildup) he establishes the family dynamics. The film moves onto show how the family manages to survive through each season until the first "traditional" conflict is introduced in the final third of the film. Even then the film is more like a slice of life of the family's life instead of a dramatic narrative we so often see in other films.

What is so brilliant about the film's approach is the silence Shindo employs. Not a word is spoken apart from short bits of singing and chanting. Music is occasionally inserted, but even that is used rather subtly so that most of the film's power relies on the writing and the visuals. And these two aspects are worthy even on their own. Even though the film gives a rather stereotypical image of the Japanese (who dislike the image) it's a very striking and tragic portrayal of the problems of social change and isolation, among others.

Shindo's cinematography is mostly static or at least the movement is so smooth and controlled that the viewer hardly notices it. It gives the daily routine a fitting rhythm and emphasizes the cyclical life of the family. Although the pacing of the editing is rather fast it doesn't feel like the film rushes towards the ending. Shindo likes to intercut between multiple motions and creates rather fascinating scenes out of simple moments (like rowing).

The film is not without an arguable flaw. The blandness of the characters is probably intentional, but it decreases the impact of the film's ending a bit too much. Luckily the tragedy is still intact.

Score: 9 out of 10

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