Thursday, May 27, 2010

Evangelion 2.0 You Can (Not) Advance

Evangelion 2.0 You Can (Not) Advance (2009) is the second part of a movie series that attemps to retell the story of Hideaki Anno's Neon Genesis Evangelion - a TV show that I utterly love and praise way more than anything else. Even though the first film was a rather uninventive remake of the first 6 episodes of the original show with brand new animation, the second film takes a significantly different direction to make the new films quite different from the original show.

Essentially Evangelion is about a group of teenagers saving the world in their giant robots from creatures called the "Angels" while mysterious old men smugly conspire for something much bigger. As interesting and mysterious as the plot sounds, it's only the framework for the grand psychological and philosophical issues which are also filtered through religious imagery.

Where this film seriously differs from the original show is its inclusion of a totally new character who - despite appearing as far less complex than the original cast - twists the storyline a lot via her chaotic (and badass) involvement. The already-familiar characters seem to evolve in slightly different paths this time, but I'm not sure if it is going to have an impact in the end since there are still 2 movies to be released. All in all, the writing is nearly as complex as in the original series (which is the ultimate masterpiece of cinema and TV in my opinion) and the film brings new interesting aspects to the characters and the world around them.

Anno's form is still top notch after 15 years. The editing is phenomenal throughout the film and the compositions are breathtaking. The vast budget is well used for gorgeous animation that only enhances the already rich cinematic experience. Shiro Sagisu's soundtrack might be a bit weird in comparison to the TV show because it includes some of his music from other shows and it is a bit more guitar-driven on a few occasions. Despite its different nature it is still quite awesome.

Hideaki Anno proves he is still at the top of his own game despite not doing anything for years prior to the earlier film. No matter how you look at the film, you can't find any flaws at all. It's a clear-cut diamond.

Score: 10 out of 10

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