Sonatine

Takeshi Kitano's Sonatine (1993) is clearly the film that defines Kitano's trademark style: deadpan humor presented through a calm and peculiar form. As a mob war escalates a group of yakuza decide to go into hiding in Okinawa.

The premise sounds like something that could be used for a lot of suspense and action, but Kitano does not take that route. Instead he explores the way the gangsters spend time hilariously at the beach, which is interrupted by bloody violence sparsely. Kitano's humor is bright and truly funny this time. Solid characterization and the relaxed setting allow it to bloom to new heights. Even though a few themes do unify the film the focus is on comedy and rough violence.

The form is a bit exceptional too. The absolutely gorgeous photography, the calmly moving camera and calm editing patterns make the audience forget the passing of time - it's really easy to get into the film's world because of that. Joe Hisaishi's beautiful score is both haunting and relaxing at the same time - it works well as a cathartic device as well. There are a few moments in which Kitano's approach is quite awkward. For example there is one pivotal action scene that is handled in a dry way despite its slightly dramatic potential. I guess Kitano intended it to be blunt, but it has an effect which is too alienating.

Sonatine is an all-around solid film that is the best choice if you want to be introduced to Kitano's filmography.

Score: 8 out of 10