The intriguing aspect of this documentary is how it is constructed. Most of the information is shared via white text on black backgrounds without voice-over narration. There are photos which have oddly been manipulated to move on some occasions (you have to see the film to understand what I mean). There are also clips of Ichikawa's films used once in a while as examples. The documentary ends with a clip of Kon Ichikawa working on his last film in 2006.
Iwai's appreciation for the director becomes more and more apparent as the documentary goes on. It was a great thing to shoot a documentary like this while Ichikawa was alive - he died 2 years after this documentary was finished.
Score: 7 out of 10
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