Saturday, February 6, 2010

Letters to Father Jaakob

(image source)

Now that I've seen all the films Klaus Härö has directed, I can declare that his latest, Letters to Father Jaakob (2009), is his masterpiece. A pardoned convict Leila (Kaarina Hazard) is assigned to help a blind pastor (Heikki Nousianen) with his letters. As the film goes further, both of them have to deal with guilt, loss and even an existential crisis to a certain extent. Härö observes the two main characters carefully and closely. Their hidden complexities are gradually revealed and you can not avoid caring for them by the end of the film. Both of them are only broken souls barely coping, trying to find a way out. Härö's usual sentimentality is very underplayed until the end which is heartbreaking in its magnificence.

The form is refined even in comparison to Härö's earlier films. The cinematography is stunning, the editing is smoother and the music is poignant (a lot less dramatic than the music in his earlier films). The performances by the lead actors are pitch-perfect - even though both of the performances are rather towering, neither dominates the film. 

Letters to Father Jaakob is a vivid film that made me genuinely cry. I consider it the best Finnish film ever made - although that doesn't mean a lot when the film industry is in terrible condition in Finland.

Score: 10 out of 10

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