The film uses a lot of cliched tropes in its storytelling, but they are used in the best possible way - which makes them rather refreshing. The great build-up and an even better climax prove the narrative's power: it has been a long time since I've been so pumped up for the ending. The characters are properly developed (even the occasional lack of it is there for a reason) and genuinely interesting. This is a film that upgrades the term "feel-good" to "feel-great".
Yamashita's form is something you would not see used with a story as simple and unassuming as in this film: it is calmly paced with long takes, slow camera drives and absolutely gorgeous compositions. The instrumental music is a nice touch on top of the film - and naturally, The Blue Hearts covers performed by the fictional band are awesome. I never believed Doona Bae could sing that well in Japanese. The entire cast is great, but Doona really surprised me this time (even though I was a fan of hers even before the film) - her performance dominates the film in a good way.
Linda Linda Linda is flawless under its own restrictions, but I have to add a little bit of realism to my review: it's not a cinematic masterpiece thoroughly. However, I do admire the film greatly.
Score: 9 out of 10
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